Sir
Gawain and the Green Knight, Part I-II (pp.3-30)
Answer TWO of the
following (I gave you extra questions since I would normally split Parts I and
II into two days—so here is a question banquet for the Labor Day
holiday!).
1. How does the poet
present the fictional setting of Camelot in the poem? What kind of world is it, and how might it compare (or contrast)
with the famous hall of Heorot in Beowulf? You might also consider his invocation of
Troy at the beginning of the poem…
2. Discuss the description
of the Green Knight on pages 6-9 (approx. lines 135-220). What is significant about the words and
images the poet uses to outfit him?
Unlike Grendel, he is quite finely detailed, though he, too, seems to
have one foot in the pagan world and one in the Christian…
3. In the beginning of
Part II, after the elaborate section on the changing seasons, Gawain prepares
to fulfill his quest with the phrase, “We must engage our fate” (22). How do you think he defines fate here? Is it ‘wyrd’? God’s will? Or something
else? Consider the opening pages and
the rest of the chapter’s events.
4. Related to our
discussions of Beowulf, do you feel
this is a more ‘pagan’ or ‘Christian’ poem?
Though written many centuries after Beowulf,
the poem still bears many pre-Christian hallmarks, and is said by some critics
to be a re-writing of a much older poem (one based in folklore and
legend). Do we “see” this in the poem
itself?
5. Similar to the
description of the Green Knight, we now get an elaborate description of Gawain
suiting up for battle. What is the
significance of his shield and clothing?
Why does the poet linger over these details?
6. When Gawain meets the
lord’s wife, they get on quite well, and entertain each other with “French
phrases, and lingering, light douceurs” (41).
Part of the duty of a chivalric knight is to entertain and serve royal
ladies. Do you feel Gawain is merely
fulfilled his role in Part II…or does he overstep his bounds? Clues to support this either way?
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